Showing posts with label self-publishers. Show all posts
Showing posts with label self-publishers. Show all posts

Wednesday, 3 July 2019

Week Forty-Four: THE HIVE: when books get rejected

As part of an eleven-book contract with my publisher, I have written a new dark thriller.

It's called THE HIVE.


The Hive on Amazon UK: 99p



If visiting that link though, you will see this book is self-published, not traditionally published.

On sending my finished thriller to my publishers a few months back, I noted it was rather darker than previous psychological thrillers I had written as Jane Holland, leaning toward horror in places, and suggested we might want to use another pen-name instead.

They didn't reply for two weeks. Then they wrote back, declining THE HIVE and terminating my contract with them, except for the final romance in a series due later this year.

Just like that!

I was devastated. I talked the situation over with my very supportive agent. I explained how much I'd been depending on that contract to keep me afloat financially. Everyone knows it can take anything up to a year from acceptance for a new publishing contract to be signed and the initial advance paid. Assuming there even is an advance in these digital-first days.

Only I don't have a year to pay my bills. They need to be paid every month, or things start to fall apart. A full-time writer's life is precarious like that. Which is why I first turned to self-publishing back in 2011 and still regularly publish short fiction online under an array of names. But I rely on my traditional contracts to add cash advances to that income.

So we both agreed that self-publishing this rejected book was the best way for me to keep solvent, while I work on a completely new book to be submitted to other publishers later this year. And I thank my agent profusely for being so understanding.

But that plan, of course, depends on THE HIVE actually selling more than a few copies. So I've decided to publish it as a Jane Holland thriller, as that is my best-selling name.

Worried about the future, with three dependent children still in school, I've now started several online shops as well as my self-publishing sidelines. More on that anon. Jobs are hard to come by in rural Cornwall, and in my fifties with no work experience to speak of, online hustles are probably my best bet. So I'm learning new skills in that area, and working hard to get by.

Curiously, this is not the first time a book of mine has been rejected by publishers (though not while under contract!) and then self-published. Last time, it was GIRL NUMBER ONE. I self-published that in 2015 after multiple rejections, and it reached #1 in the UK Kindle store within a few months of publication. It has since sold over 100,000 downloads.

If THE HIVE manages similar success, I'll be ecstatic. But times have changed since 2015. All I'm hoping for is that this book helps me stay afloat as a struggling writer. (Buy it here!)

I'm not well-off. I didn't marry a wealthy person. I rent my house, I drive an old banger, I have no capital or investments or savings. But I am a hard worker. I write several 'big' books a year, and also self-publish multiple novellas and short stories under other names to supplement that. I am constantly working on something new. Yet still I struggle to pay my bills.

The book market is saturated. Only top names seem to do well these days. Writers get the tiniest slice of the publishing pie, often only a few pennies per sale. Publishers do not support writers by growing them and investing in their careers, as was once the norm, but discard them at the first sign of low sales. Nobody is safe, not even established writers.

Readers who want to keep their favourite writers in the game need to help them compete in this dog-eat-dog marketplace, via word-of-mouth and retweets etc. Because what publishers want most is the next shiny new thing ... and while I may be shiny on occasion, I'm not new!

So it's PUBLICATION DAY! 👏💪😍👍

Please, if you like thrillers - or me! - help me get THE HIVE out to new readers. Especially in the US market, which is yet to discover me en masse.

Share, retweet, mention, read, discuss ... Amazon, social media, Goodreads. It all helps. And I've initially priced THE HIVE at 99p/99c to encourage impulse buys!

THANK YOU!!  


The Hive: a brand-new thriller for 2019 from Kindle #1 bestseller Jane Holland

Scarred by fire from infancy, with a persistent stammer, Charlotte has always been in the shadow of her glamorous theatrical parents. So it's a shock when her mother commits suicide.

Left to care for her sick father in the dark maze of her childhood home, Charlotte begins to unravel. First, there's the mysterious arrival of a box of dead bees. Then buzzing noises in the attic. People are watching her. Listening to her.

Everyone thinks she's losing her mind. But an old photo suggests another, more sinister possibility ...


Jane Holland's bestselling thrillers have sold more than 220,000 paid downloads across several continents, and she loves finding brave new readers! 


Also


Saturday, 22 July 2017

Week Forty-One: When the Going Gets Tough, the Tough Self-Publish

I have a new book out.

It's a thriller: ALL YOUR SECRETS.

Much like my other thrillers, this is a full-length psychological thriller, with a twisty page-turning plot and a strong local atmosphere.

But unlike my other thrillers, this novel is self-published.

Why?

ALL YOUR SECRETS (UK Amazon)

Apparently the setting wasn't what my publisher wanted. My other two thrillers were set in Cornwall. They wanted a thriller set in London. This new book is set in the gorgeous South of France, a place I have visited many times and with which I have a natural affinity.

Last summer, I submitted two synopses and a 25,000 word sample of my South of France thriller to my publisher. Following a miscommunication of some kind, I mistakenly thought my editor was excited by the sample I'd sent and was planning to acquire the book.

Some months passed while I knuckled down and finished the book before my contract arrived. (Which is something many full-time writers end up doing, working on a book before the contract arrives.) I loved every minute of it though; it was a delightfully tactile, sensual book to write, and deeply sinister too.

In December, a few thousand words shy of finishing ALL YOUR SECRETS, I asked again about the contract. It was only at this point that I discovered my publisher did not want the book.

However, I received a contract for the other synopsis. The book I had not written. With only 8 weeks in which to write it, apparently.

I did the only thing I could.

I wrote the new book. And I did it within the required 8 weeks. It's currently at copyedit stage and will be published in January 2018.

Bizarrely, this is not unusual in publishing. It's the kind of thing that happens to writers all the time. Talented writers. Hard-working writers. Established writers. Full-time writers with bills to pay and no other way to pay them but through their own skill with a keyboard.

Most established writers can tell publishing stories to make your toes curl. Trilogies that flop and are abandoned as a lost cause, leaving one or even two books unpublished. Novels that are commissioned in conversation - like my own bestselling thriller, GIRL NUMBER ONE - and then rejected later, leaving a writer stuck with a book written to a very specific brief that they now need to sell elsewhere. Not always easy.

In the same vein, I was once tipped the wink at an editor-author coffee meeting that my latest outline wouldn't be acquired unless I converted the setting to Faeryland, because 'we're desperate for those'. I wrote 50K of the blasted thing before the editor was made redundant. Needless to say, the remaining editors were politely baffled by the Faeryland setting, and my agent was less than impressed too. I never did finish that one. Though maybe one day ...

So two years after I was forced to self-publish GIRL NUMBER ONE (a book rejected by over a dozen publishers, mind you, which subsequently sold 50,000 copies in a few months as a self-published title, hitting #1 in the UK Kindle Chart), I found myself with yet another unwanted novel on my hands.

You'd think I'd have learned my lesson by now. But hope springs eternal!

This time, I was not contractually permitted to offer it to another publisher - not under the name Jane Holland, at any rate, which has become my 'thriller' name.

However, I was given permission to self-publish ALL YOUR SECRETS.

When the going gets tough in this industry, the tough often end up having to self-publish. Not the most ideal situation, especially when a book has been written with a rather different arena in mind. But I have three children to feed and clothe, and this book took about 4-5 months to write and edit - an expensive time investment for me - so heigh-ho, self-publishing it was.

I proofed the book, made a cover, wrote a blurb, and started telling the poor, long-suffering souls on Twitter that my book was about to go live.

I had a pleasing number of pre-order sales. Those are my fans, and I thank them wholeheartedly for sticking with me!

Then it came out.

A self-published novel that isn't priced at 99p - instead, it's a modest £1.99 - is not the easiest thing in the world to persuade random punters to buy. Nor do I have the surprise of writing in a new genre to help me, as I did with GIRL NUMBER ONE.

So any sales you can waft my way will be hugely appreciated. This book has been written with all my skill and knowledge behind it, the experience of writing several dozen novels, and I feel certain many thriller-reading people will find pleasure in it.

I thank you all in advance for any retweets or Facebook shares or reviews or other promotional help you can offer this new and highly atmospheric book-baby of mine ... The blurb follows.

Thank you!

Jane x

ALL YOUR SECRETS (Amazon UK)

What happens when love is perfect? Too perfect?

When her glamorous cousin Emily drowns, Caitlin flies to the South of France for her funeral, full of bitter-sweet nostalgia for the summer they spent there as wild teenagers. Her aunt Tamsin, once a film star, now suffering from dementia, invites Caitlin to stay at her chateau high above the beach at Cap d'Antibes.

Suddenly the gorgeous, charming Robin is back in touch, son of a Hollywood film producer. 
Tamsin warns her to stay away from him, but Caitlin can't resist her teenage crush. Soon the pair are falling madly, deeply in love ... all over again.

But something doesn’t feel right. What was Robin’s relationship with her beautiful cousin? And what is her aunt trying so desperately to conceal? The chateau on the Cap may be beautiful, but it hides dark secrets.

Was Emily's death an accident? Or could it have been murder?

-- ALL YOUR SECRETS is an atmospheric psychological thriller that simmers with tension and will keep you guessing, from the bestselling author of GIRL NUMBER ONE and LOCK THE DOOR.