52 Ways To Write A Novel: a year of discussing fiction-writing
PLEASE NOTE: the first twenty of these posts are also available in expanded ebook form (21 WAYS TO WRITE A COMMERCIAL NOVEL)
Find previous posts below (some earlier posts may only be available after November 15th 2015):
Week Two: Fake It Till You Make It
Week Three: The Impossible Idea
Week Four: Rowan Coleman's 'Letter To A New Writer'
Week Five: A Sense of Place
Week Six: Novel Avoidance Syndrome
Week Seven: Learn To Love Your Synopsis
Week Eight: Dealing With Rejection
Week Nine: Juggling Pseudonyms
Week Ten: Planning Your Novel
Week Eleven: Good versus Evil Characters
Week Twelve: The Company of Writers
Week Thirteen: Why Novels Are Like Apples
Week Fourteen: Four Point Commercial Checklist
Week Fifteen: Writing Scenes
Week Sixteen: Where To Start Your Novel
Week Seventeen: Researching Your Novel
Week Eighteen: Writing Your Novel
Week Nineteen: Beginning and Ending Chapters
Week Twenty: Ten Ways to Tackle the Novella
Week Twenty-One: Narrative Choices
Week Twenty-Two: Criticisms, Mistakes, and Mosquito Stings
Week Twenty-Three: The Rehabilitation of Lost Novels
Week Twenty-Four: Writing My First Contemporary Thriller
Week Twenty-Five: On Promoting Books (Thunderclap)
Week Twenty-Six: Art & The Novelist
Week Twenty-Seven: How To Turn Your Novel into a Bestseller
Week Three: The Impossible Idea
Week Four: Rowan Coleman's 'Letter To A New Writer'
Week Five: A Sense of Place
Week Six: Novel Avoidance Syndrome
Week Seven: Learn To Love Your Synopsis
Week Eight: Dealing With Rejection
Week Nine: Juggling Pseudonyms
Week Ten: Planning Your Novel
Week Eleven: Good versus Evil Characters
Week Twelve: The Company of Writers
Week Thirteen: Why Novels Are Like Apples
Week Fourteen: Four Point Commercial Checklist
Week Fifteen: Writing Scenes
Week Sixteen: Where To Start Your Novel
Week Seventeen: Researching Your Novel
Week Eighteen: Writing Your Novel
Week Nineteen: Beginning and Ending Chapters
Week Twenty: Ten Ways to Tackle the Novella
Week Twenty-One: Narrative Choices
Week Twenty-Two: Criticisms, Mistakes, and Mosquito Stings
Week Twenty-Three: The Rehabilitation of Lost Novels
Week Twenty-Four: Writing My First Contemporary Thriller
Week Twenty-Five: On Promoting Books (Thunderclap)
Week Twenty-Six: Art & The Novelist
Week Twenty-Seven: How To Turn Your Novel into a Bestseller
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Many thanks, Jane Holland